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A JOURNEY INTO THE PAST
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A walk througt Monastir always
begins with the majectic Ribat whose characteristic silhouette
with its crenellated ramparts and watchtower dominate
the esplanade. Founded around the year 796, the Ribat,
once an impregnable fortress, today opens its doors to
visitors who find tranquillity and coolness in the shadow
of its walls and in its peaceful halls. In summer, the
ancient stone is brought to life by a son et lumière
display for the enjoyment of the public. |
Inside the Ribat a Museum of Islamic arts, the
Ali Bourguiba Museum, has been built housing superb manuscripts
in Cufic script, some of which are illuminated, exquisite
ancient textiles, glassware, pottery and miniatures from different
periods, all relics of a brillant civilisation whose hour
of glory was long ago. But the showpiece of the collection
is perhaps the Arab astrolabe made in Cordoba in 927.
As you wander
through the various rooms to the Ribat, note the extremely
interesting collection of engraved steles and tombstones
dating back to the XIth and XII th century in the courtyard.
On the first floor of the southern wing are two prayer
rooms where some people wanted to make a "women's
Ribat" which is also worth visiting.
As you leave the museum, your attention is caught by a
sort of giant warehouse built virtually against the Ribat
and whose presence seems incongruous to say the least.
These are the studios where the thirteen |
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episodes of the serial Jesus
of Nazareth, and many other well-known films such as Raiderss
of the Lost Ark were shot.
The exceptional beauty of the site and the incomparable
luminosity of the Tunisian sky add to Monastir's success,
judging from its populary with the most famous directors
of both the silver screen and television.
Not far away is the Zaouia de Saïda, a funeral mosque
that used to be enclosed in a second Ribat which no longer
exists. A third Ribat, called Zaouia of Sidi-Dhouib is
also worth a visit. |
But the contemporary Bourguiba Mosque, built
in 1963, is even more sumptuous. Built in 1963, is even more
sumptuous. Built in traditional style, it is a sophisticated
building and the decoration in particular is remarkable, making
it a beautiful example of traditional art and architecture.
The huge vaulted hall of prayer is supported by eight-six
pink marble columns. There is a large dome before the mihrab
which is inlaid with golden mosaics and decorated with small
onyx columns.
Entrance to the mosque is gained through nineteen carved teak
door, the work of craftsmen from Kairouan.
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To the west of the explanade,
two octagonal pavilions seem to guarding the entrance
to the poignant seaside cemetrery dominated by the "Koubba",
the dome of Sidi El Mezri, the patron saint of the town.
The scattered little white tombs stretching down to the
nearby shore lend this peacegul graveyard an unutterable
charm tinged with that melancholy which is always aroused
by the memory of those who are no longer with us.
After croassing a paved courtyard you reach the Bourguiba
family mausoleum, a beautiful, a beautiful square building
with a golden dome flanked by twin minarets. Built at
the same time as the mosque, it is a splendid example
of traditional decorative techniques. To the right of
the monument, you can see the little marabout of Sidi
Bouzid, the dome of which is made of earthenware tubes.
To the left, another dome protects the Bourguiba family
tombs. |
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